Esther M. Zimmer Lederberg
Giacomo da Lentini: 13th Century

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Dante Alighieri
Dante Alighieri: Influenced by Giacomo da Lentini
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Lines in the first Italian sonnets were hendecasyllable (endecasillabo or eleven syllables) in length. A constant stress is placed on the tenth syllable, so that the number of syllables in the verse may vary, equaling eleven in the usual case where the final word is stressed on the penultimate syllable. This follows the typical form in Latin. The verse also has a stress preceding the caesura, on either the fourth or sixth syllable.

Canzoni (songs) preceeded the sonnet, but were expected to be accompanied by music in Troubador form. Dante Alighieri ("Divine Comedi") used "terce rima" form that was influenced by Giacomo da Lantini's Canzoni and Sonnet forms. Giacomo da Lantini (13th century), developed the first sonnets (preceding Petrarch).

The form of a canzoni is: A B C D   A B C D   E E F G F G
(two quatrains followed by a sestet that includes a terminating palindrome, for 14 lines: the standard number of lines in a sonnet). Giacomo da Lentini's sonnata form is a little different than the canzoni form: A B A B   A B A B   C D C   D C D   The sestet is composed of two intertwined palindromes (terce rima: "Hello Dante").
Giacomo da Lentini's poetry was originally written in literary Sicilian, although it only survives in Tuscan.
  1. Giacomo da Lentini Canzoni III
  2. Giacomo da Lentini Canzoni XII
  3. Giacomo da Lentini Sonnet XX
  4. Giacomo da Lentini Sonnet XXI
  5. Giacomo da Lentini Sonnet XXII
  6. Giacomo da Lentini Sonnet XXIII

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